Tonic VS Finalis
Tonic VS Finalis Two similar concepts—but profoundly different. Is the Finalis of a Tonus or Modus the same as the […]
Cantus Firmus
The Origin of the Lamento Bass
Lamento Bass in Partimento The Lamento Bass, often mentioned in discussions about Partimenti and Baroque music, is a descending tetrachord
Gradual and Antiphonary
The 2 Categories of Chants The chants and melodies in Cantus Firmus are primarily divided into two categories: those of
The Canonical Hours in Cantus Firmus Repertoire
The Prayers of the Canonical Hours in the Divine Office According to the Breviary of Pius V (1568) The Divine
Saint Francis of Assisi Introitus
II Tonus Plagalis, Imperfectus Mixtus Imperfectus, Commixtus Imperfectus Mixtus with the VII The Source of this Chant from the Gregorian
Manuale di Canto Fermo
Manuale di Canto Fermo Michele Chiaramida Topics Canto Fermo, Gregorian Chant Renaissance Music Church, Salmody, Renaissance Music Theory What do
